Monday, May 28, 2012

Sherlock Season 2

Two things.
1. Spoilers. Don't read unless you've watched the show.
2. Haven't seen the show? All the episodes are streaming in good quality for free on the PBS website. Here's a link to the first episode. I trust you can navigate a website well enough to find the rest.

Before I got caught up in all The Avengers excitement (or maybe during, my sense of time is a little wibbly right now), I commenced watching Sherlock season 2 on PBS. My dad also started watching with me, which is awesome. There's nothing better than a family that can enjoy British television together.
Anyway, season 2 really blew me away. I'll go episode by episode. Warning: This is going to be a very very long post. Episode by episode, this is what I thought.

A Scandal In Belgravia- Season 2 starts with an episode based off of the original Holmes story A Scandal in Bohemia, a personal favorite of me. However, this one takes quite the turn with it. The focus is on Irene Adler, an opera singer in the books, and here in the show, she's an, erm, dominatrix if you will. I definitely was not expecting half of the things that happened in the episode. Lara Pulver does an excellent job of keeping Irene interesting. Benedict and Martin are completely awesome as usual, and let's not forget Andrew Scott's memorable ten minutes tying up the cliffhanger from last season (which by the way, hit me out of nowhere).

The plot is intricate and intriguing, as is every episode, but this one takes on an entirely new subject: Sherlock's lack of emotion. In fact, the reoccurring theme of season 2 is Sherlock gradually finding some emotion and sentiment. Not too much of course. I mean, he is Sherlock Holmes, but it's progress, I will say. Will we ever see a fully emotionally functioning Holmes? I doubt it. But it's interesting to see him confronted with not only a very sexual woman, but also an intellectual equal.

I laughed a lot in this episode too. There's always room for a few moments of comedy in these episodes, and that's something I really enjoy. Cinematography is top notch as well.

The Hound of Baskervilles- Wow. Oh my gosh. One of the most famous Holmes stories adapted for the small screen by the brilliant crew, and believe me, it doesn't disappoint. This is one of the most thirlling episodes of anything I have ever watched. It creeps up on you like the fog in the scenery. Everything ties together so amazingly that my jaw dropped a couple times.
Baskerville is no easy task. It's one of the most mindbending Holmes stories ever written, and from what I heard Steven Moffatt and Mark Gatiss (the writes, and Gattis plays Mycroft in the show) spent weeks puzzling over how to get it just right and make it work in the modern setting. It was no easy feat, but it's done so beautifully.
I enjoyed the twists and turns and was legitimately  very scared at times. The new characters were very involving (I'll let you guess who they are :) ), and there's a certain depth to one episode characters that you simply can't find anywhere else on television. The conclusion really sets up for the last episode while still giving you some satisfaction from the episode's plot. Five bajillion stars.

The Reichenbach Fall- Being a fan of the original Holmes books, I vaguely knew what we were in for when I started Reichenbach that Sunday night. However, I didn't expect how far everything would go, and how brilliant this episode would prove itself to be. This might be my favorite episode out of the six that have aired.  From the minute that Reichenbach starts, there's an inevitable and appropriate feeling of doom. Things just continue to spiral downward for the characters, but the quality of the show just keeps going up.
I won't give anything anyway, because even though I said spoilers, I know some of you have probably not watched Reichenach and are foolish enough to still be reading. But I was outright sobbing. Usually, when I get worked up over a film or TV show, tears well up, but I'm quiet. No. I was crying my wittle fangirl heart out. My family had to tell me to shut up.
First of all, Martin fladoodling Freeman. He breaks my heart in this episode. He won a BAFTA for his performance as John Watson for last season, rightfully so, but he's even better here. John is one of those characters that really grows on you the more you watch him. I'm very emotionally attached to him.
Benedict is also Martin's equal in the episode. The facade' of Sherlock Holmes falls a bit in this episode, and every line, every gesture, is there for a reason. Well done Mr. Cumberbatch.
Also, Andrew Scott, who is a mainplayer in this episode for once. We've literally seen Moriarty all of 20 minutes until Reichenbach, but here he is in almost every scene. Andrew plays a very mesmerizing Jim Moriarty. It's a little reminiscent of Heath Ledger's famed portrayal of the Joker in The Dark Knight, but very unique and different at the same time. You never quite know what he's going to do next. All the awards (which is kind of true, because Andrew won a BAFTA for this performance a few days ago).

I literally cannot express everything I feel about this show, and I love that about Sherlock. It's so big and intricate, but it also retains that dark sense of humor and fun that is what made Sir Arthur Conan Doyle's original Holmes such a classic.

Rating: All the awards. Watch this show.


1 comment: